bbc.co.uk/videonation/filmingskills/talking.Harry (19) “look at this picture, harry always was stealing mom’s bras” you said to the boys and they all started laughing, “what I just thought it look good on me” harry said, and you started laughing even more if that’s possible, “you need to see the picture when he started running in the street naked with a bra, that will be wonderful” you laughed, “you won’t dare to show them this picture” he said, “umm you think so?” you smirked, you started running “I’m going to bring it” you yelled, “oh noo” harry said running after you, the boys were laughing at you, harry caught you and put you in his shoulder, “stop stop, put me down” you laughed, “no apologise”, “no no dimple boy”, “okay I’m not letting you go until you apologise”, “then I hope your muscles are strong enough”.
Also, if you are filming a "day"-in-the-life and only have a small amount of time with your subject, shoot in different locations so it feels like you had longer ! Get your subject to speak directly into the lens so as not to confuse the viewer. "And when filming - despite the traditional image of video diaries being all hand-held, low-quality sequences - I'd really advise using a tripod to create some nice, quality establishing shots.
Invest in an external mic, even if it's just a clip-on one. "Good sound is much harder to achieve than good visuals," warns Rosemary. And soundtracks generally don't work well in video diaries - they detract from the rawness of the footage. The camera should react in the same way someone present would (but without the head spinning), to give the film a feeling of intimacy and immediacy.ĭon't worry too much about framing and angles - really well-composed shots will look too contrived and won't fit the freestyle feel of your film. So, if your subject mentions something off-screen, film a separate shot of it and intercut these later. "Unless it's a really moving and dramatic story," says Rosemary, "viewers will expect to see the film illustrated with cut-aways that reflect the subject's story." If filming someone else, you need to react dynamically to what's happening - don't assume that your subject must be on-screen at all times. If you are filming yourself, use the reversible viewfinder to check your framing and appearance, and use a tripod to prevent camera shake. People open up when they are with friends or family, so try and film your subject interacting with people they feel comfortable with." "It allows you to explain the relationship with far fewer words. "It can also work really well when you have two people in front of the camera," Rosemary adds. While you don't want somewhere that distracts viewers from the subject's emotions, don't opt for a plain background - choose somewhere that says something about you or your subject. These expressions of the minutiae of life can be funny, yet very powerful." Some of our best have been what you'd call 'kitchen sink diaries'. "And while the more extreme personal situations obviously tend to be gripping, not all video diaries have to be serious to be affecting. "The subject matter can vary hugely but, for Video Nation, we reckon the diaries in which people are passionate about a subject work best," Rosemary explains.
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